![]() ![]() Full details are listed below with further shows to be announced.Īnyone buying Simulation Theory through the band’s store will get early access to tickets for the 2019 tour. ![]() Their North American dates will see the band play gigs in cities including New York, Las Vegas, Atlanta, Philadelphia, Toronto and Washington. In Europe the band will play in Paris, Madrid, Milan, Lisbon and Moscow and many more across Europe. UK shows include London, Bristol and Manchester. The band has announced initial cities for their 2019 world tour with more cities to be added. Pressure centers on a high school dance that goes awry and features a guest appearance by Terry Crews. The brand new album is due for release on November 9.Ĭontinuing their collaboration with director Lance Drake, this video also draws upon a classic pop culture moment from the 80s. Muse have today released their new single Pressure, the latest track from their upcoming album Simulation Theory. With that being said, the lyrics are perhaps one of Simulation Theory’s greatest strengths - but, when they’re drowned out by beats and bass that are reminiscent of the musical fare of a cheap nightclub, one would never know that.BAND ANNOUNCE INITIAL CITIES FOR 2019 TOUR From the portions of the album in which they are audible, it is apparent that they put forth insightful commentary on the fractured state of the present. The lyrics, then, wind up as a casualty of this as well. Bellamy’s vocal performance is as skillful and unwavering as ever, but tracks such as “Propaganda” and “Break It to Me” find it buried by overproduced soundscapes that feel far too crowded for a three-minute duration. The Bad: Simulation Theory’s dizzying display of electronica often muddles the stylistic strengths that are legitimately there. This allows the ear to organically detect some of the album’s strongest moments of musicianship, such as the strength of Matthew Bellamy’s vocals and the strategic riddling of flavorful guitar licks, and they shine through with ease. Yes, the rock and electronic elements that hallmark the album are present, but they’re not overbearing by any means. “Pressure” and “The Dark Side”, for example, stand out as two of Simulation Theory’s strongest tracks due to their ability to source mastery from subtlety. This is achieved when sonic excess is stripped back, which creates ample breathing room for the nuances of the soundscapes to gradually unfold as opposed to feeling forced and crammed. The Good: Simulation Theory is at its best when it revels in simplicity, allowing the rock and electronic elements to find natural cohesion without one dominating the other. It is clear from Muse’s past work that they are indeed capable of really delivering, but this time, they just didn’t do so as strongly. Whereas certain songs allow the bevy of nuance that Simulation Theory presents to achieve a natural state of cohabitation, others bombard the ear with excess - forcing the musical duality with a heavy hand rather than letting it naturally manifest. ![]() However, this delicate rock-electronic elixir is executed far more successfully on some tracks than others. ![]() The Lowdown: Muse have long dabbled with infusing electronica into the sonic staples of rock, and Simulation Theory, their eighth record, sees the trio lean into that sound more boldly than ever. ![]()
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